In film, the filmmaker distributes the sound of a human voice (or voices) over images shown on the screen that may or may not be related to the words that are being spoken. Radio became the ideal medium for voice impersonations. In the late 1920s, radio started to stray away from reporting exclusively on musicals and sporting events instead, radio began to create serial talk shows as well as shows with fictional story lines. There has been some controversy with charactering techniques in voice-overs, particularly with white radio entertainers mimicking AAVE. Charactering techniques in voice-overs are used to give personalities and voice to fictional characters. Noteworthy and versatile voice actors include Mel Blanc, Daws Butler, Don Messick, Paul Frees, and June Foray. Voice-over technique is likewise used to give voices and personalities to animated characters. In Herman Melville's Moby Dick (1956), Ishmael ( Richard Basehart) narrates the story, and he sometimes comments on the action in voice-over, as does Joe Gillis ( William Holden) in Sunset Boulevard (1950) and Eric Erickson (William Holden) in The Counterfeit Traitor (1962) adult Pip ( John Mills) in Great Expectations (1946) and Michael York in its 1974 television remake. After slating, the auditionee then reads the copy given to them by the casting team. Slating is a practice where the person going for the audition states their name and then says Take 1, Take 2, Take 3. For an audition, people should warm up and try to arrive early so they can prepare and have the best chance at getting the role. To find casting auditions, there are many online websites that can allow people to sign up for auditions. A demo-reel is important to have for someone looking for a job in voice acting because many auditions ask for one. To audition for a voice-over role, people often record a demo-reel, which is a compilation of someone's works in voice acting. Careers in voice-over often allow people to work at home. A computer, professional microphone, and an editing program, along with a studio to set up in, are all requirements to develop a professional voice-over. There are many pieces of equipment that are also required to start a career in voice-overs. It is recommended to hire an acting coach and voice coach to help hone skills for recording a voice-over. The important factors to being a voice actor are technique, genres, and work. To become a voice actor, no training is required. Voice-over is added in addition to any existing dialogue and is not to be confused with voice acting or the process of replacing dialogue with a translated version, the latter of which is called dubbing or revoicing. It may also be read live for events such as award presentations. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. Asynchronous, however, is also used in cinema. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice-that is not part of the narrative (non- diegetic)-is used in a radio, television production, filmmaking, theatre, or other presentations.
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